By the time the swinging sixties came along, Mercedes were eager to create a model that could replace both the 300 SL and the 190 SL, while combining the power and performance of the former with the affordability and road-friendly design of the latter. The first Pagoda was created in 1963 when the 230 SL debuted at the Geneva Motor Show. Here was when the press first dubbed the car the ‘Pagoda’ due to its distinctive rooftop. Over the next four years, the 250 SL and finally, the 280 SL would go into production improving on agility, power and performance with each evolution.
Working with fellow Mercedes masters such as Friedrich Geiger, Béla Barényi and Karl Wilfert, Bracq and the team prioritised safety, space and visibility to design the beloved Pagoda roof. It was the perfect example of function dictating form. The square, slightly concave and thin panelling of the roof was the solution to a multitude of concerns. It improved access in and out of the car, flooded the interiors with light, increased the driver’s periphery and importantly, created a better connection between the passengers and the outside world. All while keeping the car stable in the event of being overturned. As a bonus, the roof was strong enough to be climbed on and used as a platform by journalists photographing car races. Or it could be completely taken down to create an even more open driving experience.